Reviews for sale

Sigh – I came across a new low recently in the rapidly evolving book world – reviews for sale.

A random Twitter follower sent me a direct message asking if she might review one of my books on her blog. I didn’t know her, but then I have close to 27,000 Twitter followers so that’s not unusual. I checked out her book blog, it seemed superficially legit – there were reviews on there, it seemed to be regularly updated.

She didn’t use her name, just a pseudonym concerning her hair colour, but that didn’t seem too fishy – not everyone wants to be a public face. She described herself as a military wife, living somewhere in the USA, with a young family.

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Accidental author

The British novelist Barry Hines told a story of sitting in a staff room after giving a reading at a school in Lincolnshire when a member of staff asked him the weirdest question he had ever been asked about his writing.

“You know that novel you wrote, A Kestrel for a Knave” asked the teacher sitting next to him. “Did you write it on purpose or by accident?”

Hines was momentarily at a loss. He could just about grasp the idea of someone writing a few lines of verse by accident, but a whole novel? Thousands of words, years of work? That would be some accident.

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The value of authors

Recently I was interviewed by the amazing and successful author Jane Howard for her website, you can find that interview if you click here. And among other things she asked me which authors inspire me.

And what I said was this:

All authors inspire me – all of them, good ones, bad ones, self-published, small press, big publisher. I think writing books and stories is a tremendous thing for people to be doing, we hold a mirror up to society, we are its conscience and its soul. That’s no small thing to be involved in.

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Where do you get your ideas from?

When people ask me about writing, which sometimes they do, one of the questions they are most likely to ask is ‘where do you get your ideas from?’

It’s a tough one to answer, partly because I don’t think about the process very much and also because there isn’t just one place where ideas are floating around and we writers gather with our butterfly nets and haul them in. At least, I’m saying there is no such place, if there is let me know, it will make things a whole lot easier.

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Did you really mean that?

img_0019One of the hardest things to spot in your writing I think is when something hasn’t come out on the page the way you intended when you wrote it.

So you imply one thing, the reader infers another. It can happen in small subtle ways, or great big clunking ones – the character you intend as a noble hero can seem more of a villain for example. Why is it hard for the writer to spot? Because it’s still you doing the rewrites, and you still have your initial perception colouring your view.

Here’s an example, not from art but from life, of this effect in motion.

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Why we write

write-2When people ask me why I write fiction, as sometimes they do, I’m kind of at a loss. So full of words usually I find I have none.

So I have a stock response which is to say that I don’t know why I write except that I feel compelled to. I don’t necessarily enjoy writing so much as I find I need to do it, because it’s part of me.

So that deflects the question but doesn’t really answer it.

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First draft

 

writebookI’m writing a first draft at the moment which is always a confusing time. A time full of optimism and doubt, of positive thinking and self-loathing.

You’re creating a whole new world, so it’s never going to be straight-forward.

I think the tyranny of detail is something which weighs heavy. Is this or that bit right? But it’s best to press on.

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Bookshop shenanigans

10421449_674248686040606_4388219743124469781_nI was in a branch of Waterstones the other day, which is the big bookshop chain in the UK, and I noticed that, where the face-out copy of J.K Rowling’s A Casual Vacancy should have been something else had appeared.

Another book was sitting there, taking the glory, and, to make things worse, it was a pretty shoddy looking book. It was skinny, barely more than a pamphlet, and it had a dull maroon cover with a white line drawing on the front. It reminded me of school text books from the 1970s. How could this cuckoo in the nest have got there? Well, I’m not Raymond Chandler, I wasn’t even in the detective fiction aisle, but I’m guessing we need look no further than the author of the ‘misplaced’ book.

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Reading and writing

imageI was reading at the Evesham Festival of Words last night – lots of fun. What’s an Evesham I hear you ask? It’s a small town in Worcestershire, semi near to where I live in the UK.

I enjoyed it. The whole thing it was delightful. It was held at a wonderful museum in a 14th century building called the Almonry in the town, which is one of those places which we tend to overlook in the UK but are genuinely ancient and overflowing with stories. These are buildings with low beams because people used to be shorter. Listen, I’m going to say, without bothering to check on Google, that this building is older than America. (White people America). It was doing its thing before McDonalds, imagine that.

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Should we be sexy in print or not?

KissPostcard
Steady on! How raunchy should you be in print?

I was chatting to a fellow writer on Facebook recently who asked my advice on her work. She’s writing a few different things on the way to her first published novel but one project is a type of romance novel and essentially, she wanted my view on how spicy she should make it.

She said: “I’m not sure how far to go with it because I could get a little graphic in that one if I wanted to. I just don’t know if I should keep it PG or not?”

Well my view is basically this – nobody can tell you as a writer what you are comfortable with when it comes to sexual content – it really is up to you.

But one or two things did come to mind:

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